Rated: Not Rated | Running Time: 94 Minutes
From: Dark Sky Films
Available in Theaters and VOD: March 1, 2019
Get it via : Amazon
Strange things are afoot at the secret lab. Girls are locked away hoping for one thing, to be adopted by a nice family. That sounds nice and all, but as we watch the girls and their training, it appears something else might be going on. Hmm? I’m thinking the good Dr. Miro (Peter Outerbridge) and his assistant Miss Brixil (Sara Canning), may be up to no good. Uh oh!
Now, the press materials for “Level 16” have a number of references to the Hulu phenomenon, “The Handmaid’s Tale.” The problem for me? This means absolutely nothing. Most of my experience with said Tale is walking by the TV when my wife is watching it. Yes, it looks interesting enough, but I’ve got enough shows, I don’t need to get sucked into another one. Me, I’ll do my best to review the film without the comparisons.
Back to the girls in the “school.”
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“Possum” is not your “axe-wielding” kind of horror movie. Nope. This is one messed up, creepy film. It’s the kind of weird movie where grotesque things infiltrate the minds of the characters and turn them into crazy.
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While watching the movie, “Bohemian Rhapsody,” I had to chuckle when the scene arrived showing the various clips of reviews of the Queen album, “A Night at the Opera” and the epic song, “Bohemian Rhapsody.” Yup, critics really didn’t like the album, didn’t get it, and basically dismissed it. Enter “Bohemian Rhapsody” the movie, and sure enough the critics didn’t really like it, didn’t get it, and basically dismissed it. The problem? The people going to the theater appeared to love it.
Me, I was seven years old when “A Night at the Opera” came out. I can’t say I remember it back then, but what I do remember is “A Night at the Opera” was the first album I ever bought. I remember riding my bike to Big Town in Lorain, Ohio, putting the album on my turntable, and there it was, a skip, during “Seaside Rendezvous.” I didn’t care. I loved the album, and listened to it over, and over, and over. It’s the only piece of vinyl I will not depart with, has a place on my knick-knack shelf, and when I bought the CD of “A Night at the Opera” I would still sing the “skip” during “Seaside.” Queen has always been one of musical influences of my life.
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Sure, you might notice them, guide dogs for the blind. And sure, you might marvel at how well-trained they are. What is easy to forget, though, is that they start as puppies, cute puppies, with various personalities that will hopefully lead them to being great, guide dogs.
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The press release read, “David Spade’s first Dramatic Role in the new film thriller, “Warning Shot”… Sure, that was interesting news, and I skimmed over the rest of the press release, but it wasn’t until the opening credits rolled that I blurted, “James Earl Jones? How in the hell did this movie get James Earl Jones?” Guess I missed that name in the release.
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Every time I’ve watched a Deadpool movie, I can’t decide if the self-healing superpower would be a good thing, or maybe the worse thing in the world. I suppose if you have the attitude Deadpool has, it’s not that bad, but at the end of the day, after being riddled with bullets or having your body torn in half, might it be better just to die?
You know there is going to be trouble when a movie opens, set years ago in a vintage car, with a guy and a girl alone. One of them says something similar to, “Did you hear something?”
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“The Cage Fighter” is kind of a weird movie. First let’s get to the story.
Poor Corey (Chris Marquette). In “Chokeslam” he is what one might classify as a loser, still living with mom, and going nowhere in his job at the deli. Enter a thief, Rocket, (Michael Eklund) hellbent on robbing the deli, only this is also a small town so Corey knows it’s a dude from high school. Wouldn’t you know it, now it is time for them to be best buds.