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Rated: PG | Running Time: 127 Minutes
From: Twentieth Century Fox Home Entertainment
Available on Digital HD: March 28, 2017
Available on DVD, Blu-ray, and 4K Ultra HD: April 11, 2017
Get it via : Amazon | iTunes
Three women working at NASA as an engineer, a mathematician, and a computer scientist, in the early 1960’s would be story enough. Have them be three, strong-willed, African-American women, women with the desire to live the life they believe they were destined to live, in a United States that was a lot less close to acceptance of African-Americans than it is today, and you have history. It’s a history many people don’t realize occurred, nor the influence these three, African-American women had on that history, but damn, it’s a great story, and a great movie.
It’s “Hidden Figures.”
It’s 1961. It’s the space race. It’s the state of Virginia. Katherine Johnson (Taraji P. Henson) is fantastic at math, Dorothy Vaughan (Octavia Spencer) is a computer scientist though she doesn’t know it yet, and Mary Jackson (Janelle Monáe) is an engineer. Continue reading Hidden Figures

So close, yet so far. The movie is “Assassin’s Creed,” and after I got past the fact the Assassins were protecting an Apple I was enjoying the film.
Wow, that was a rough movie to watch. Great, but rough.
I will admit there are times when I get movies to review and I will start the movie at near about the same time I open my laptop. Usually it’s because the movie seems like it will be a “there’s 90 minutes I will never get back” kind of film, so I try to at least keep a few of the minutes to myself as multitasking sometimes becomes the order of the movie-watching. “Lost Cat Corona” started much the same way as the synopsis seemed kind of generic – Man goes out looking for a lost cat and funny ensues, and no offense to Ralph Macchio, but having Ralph Macchio, who hasn’t been really tearing up the silver screen lately, almost made it seem like one of those “He’s trying to make a come-back” films.
Well crap. Now I’m depressed. Don’t get me wrong, “Blood on the Mountain” is a fantastic documentary, but damn, the story it tell just sucks.
Is it wrong that I found Lily Collins’ acting refreshing and more enjoyable than that of Warren Beatty’s in “Rules Don’t Apply”? I mean, here’s Warren Beatty, screen legend and not really losing any steps, playing the eccentric Howard Hughes, but Lily was a spitfire as Marla, the wannabe actress looking for her big break in a Hughes’ movie.
First I have to assume the film people involved with “Cross Wars” were going for a B-Movie feel, which is fine. I generally like B-Movies and can usually enjoy the campiness of them. Sadly this movie didn’t make the grade of B.
Let me start with this: Some of the publicity is comparing “Call of the Wolf” to the horror classic “Saw,” and I wish they wouldn’t. Why? My wife likes a decent, psychological thriller as much as the next person, but when it comes to gore my wife hates it. She was immediately out of my living room screening of “Call of the Wolf” based on the preliminary “Revenant meets Saw” indication. Part of me, also, was waiting for the gore, but it never really came. The movie is a psychological thriller, true, and with that comes some violence, but none of it is the sadistic insanity that was “Saw.”
There are a lot of “Why?”’s in “Inferno.” Sure, you could ask: Why can’t the people with a whole lot of technology, including a drone, catch two people running on foot? Or you could ask: Why are the dudes with the guns in this cavern no where near the action? However, there are no more important wonderings than “Why are there so many chases?” and “Why did they have such a convoluted ending?”
Ahh, nothing better than a family-friendly movie about the quest to discover a buried treasure. Okay, there might be better, but while your young girls might be enjoying “