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Styx
with
Pat Benatar
A Concert Review |
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| Dennis DeYoung |
Two bands sounding great, one night in Chicago, and the only
complaint I heard around me was about the ticket prices. Maybe that
was why the show wasn't sold out, and I'm sure the fact that the
Chicago Bulls were playing that night didn't help any walk up sales,
but in any case, seeing Pat Benatar for the first time and seeing
Styx for the second, even missing the Bulls game this turned out to
be an alright night.
Yep, Pat Benatar was the opener, and she's sportin' a new album
called "Innamorata." She could have been a pompous person
and just played songs from her new CD that nobody knew, but, nope,
she knew the crowd probably paid to see Styx, but would remember her
if she hit some classics.
Pat Benatar for me was always one of those rebel rock and roll
ladies leading the way for the rest of the throngs to try and
upstage her, and, well, even today it would be hard to do music
wise. But, this night, it did take a while for Ms. Benatar and the
band to stop playing for themselves and realize there was an
audience that really wanted to get into the show, if only they would
be nudged a little. Opening with "Shadows of the Night,"
they cruised through some classics, hit some new stuff, brought out
a choir, and eventually rocked the house. The old stuff, you know
them, your "We Live for Love," "Hit Me With Your Best
Shot," (complete with a choir of girls who may not have even
been born when the songs were hits) "Hell is For
Children," and "Heartbreaker" which is still one of
the rockenest songs out there. But, she does have that new CD, and
touched on a little of her new sound which is much more acoustic
driven, sort of bluesy, and has the potential for radio, but I just
don't know. The two songs that stood out were her new single,
"Strawberry Wine," not to be confused with the country
version by Deana Carter, and the song I preferred, "Only
You," which had a kind of Irish folksy sound to it complete
with violin.
All in all, once Pat Benatar started playing for the show, the
place started to rock and the crowd that was finding there seats in
the dark took notice. She got an encore, did pick up the pace, so
it's TWO THUMBS UP from me!
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| Tommy Shaw |
But most of the crowd didn't pay their hard earned cash to see Pat.
Nope, they were there to see one of Chicago's favorite bands, Styx.
Styx has had one of those careers with more ups and downs than a
roller coaster (how's that for a bad cliché?). Seriously, though,
from riding high as one of the best anthem-type rock bands who could
write a ballad you could get laid to or a rocker that had you
singing along, the road for Styx has been shaky lately, starting
back on '91. Then they had a gold record and somewhat successful
tour with the "Edge of the Century" album. But, as record
companies do, Styx lost their record deal. Members were trying solo
projects and making hit songs, and things looked bleak for Styx to
be back together as a band. But, as things go, last year they hit
the road while most critics decided it was for the money - another
has-been band not looking to make a comeback - just trying to
squeeze a few more dollars out of the fans, and well, you get the
gist of that.
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| James Young |
Well, low and behold, the tour went well, they recorded their last
show in Chicago for a live greatest hits CD, ended up with a record
deal, and supposedly hope to have a new studio CD out in '98. But
enough of the history of Styx, most of you already knew that stuff.
What about the show? Let me start by saying I wasn't disappointed,
but I did wish for something and it didn't come true. We'll get to
that later.
Styx is out there right now on their "Grand Illusion"
tour, which in all honesty sounds a lot like the new live CD they
just released. I would say that you should save your money, buy the
CD, and not see the show, but that's just not true because one thing
about Styx is that through the years they have never been a band to
just stand up on stage and sing. Combine a fantastic laser show with
great lighting effects, Tommy Shaw working the stage for all that is
worth, Chuck Panozzo being just such a
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| Chuck Panozzo |
classic (I love how he just kind of hangs around on stage, and then,
all of a sudden, you find him at the front, smiling at the crowd,
flicking a pick or two in the front rows, and then drifting back
into lurking mode), classic guitar poses, and lots of perky breasts
(sorry for that blatant sexist comment, and maybe there were lots of
perky guys too, but I wasn't looking at them), in any case, Styx is
as much about a performance as it is about music.
From the new stuff like "On My Way" to "Dear
John," and from the old stuff from "Crystal Ball" to
"Lorelei," this show touched on just about anything Styx
ever put out, except one - and maybe oddly enough, my personal
favorite, Mr. Roboto. Yea, well, I always liked that album, but
sadly my wishes didn't happen because I had to listen to all of the
other Styx hits through the years. I guess there is just so much
time in a concert, but dammit, "Haven't We Been Here
Before" and "Don't Let it End" have always been two
of my favoritist Styx songs of all times. Oh well.
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| Chuck and James |
The show was great, the band sounded great, and they looked like
they were having so much fun and that directly reflected itself with
the crowd. The set list is below, and it's pretty self-explanatory,
and personally, maybe going against the other critics, I'm looking
forward to a new studio album from the boys. This time maybe the
record label won't consider a gold, or platinum, or multi-platinum
record not good enough.
Styx puts on a great show, probably always has, and probably
always will. It is hard to give them anything less than two thumbs,
even though they skipped everything from Mr. Roboto, but, TWO THUMBS
UP it is.
That's it for this one, I'm The Dude on the Right!! L8R!! |