Movie Stats & Links
||Jamie Foxx, Tom Cruise, Jada
||Please leave them
at home, unlike the one dad in the theater who had a balling 8
year old on his hands as he was leaving in the middle of the
||Bring her along,
she might find Tom Cruise not so dreamy this time.
||Lots of people get
running and chasing going on.
||There's quite a
few good lines.
||When real estate
deal #1 falls on the cab and when Vincent pretends he is a
government dude over the taxi CB.
||Max, to real
estate deal #1 on the roof of his cab: "My man, you
Tom Cruise as the bad guy. Thereís a tricky option
because women probably wonít want to go and see Tom Cruise being the
bad guy, let alone with grey hair, and dudes wonít want to go because,
well, itís Tom Cruise. Dudes and Dudettes, donít go see this movie
because of Tom Cruise, even though he does a great job as the bad guy,
go and see this movie because this is the movie that takes Jamie Foxx
to that next level on the acting scale.
A Movie Review
Tom Cruise is Vincent. He
gets hired to kill people. Jamie Foxx is Max. He drives a cab. For his
first fare we are introduced to Annie (Jada Pinkett Smith), and we
find that true, Max is a cabbie, but yes, he has his sights set on his
own limo company, and seems to have a good plan. Heís also a good
talker and listener and even gets Annieís number. Then we meet
Vincent, Maxís second fare. Here we find that Max is great at knowing
exactly how long it will take to get somewhere. Vincent is
impressed with this feat, as well as the cleanliness of Maxís cab, and
we also find that Vincent has five places to go, for real estate deals
he tells Max, and Max agrees to six or seven hundred dollars to drive
Vincent around for the night (technically a no-no in the cabbie world,
I finally realize what the "Not For Hire" means on a cab). Luckily for
Max, Vincentís first deal falls out of the window and onto Maxís cab,
probably the only reason Max makes it out alive. If you donít
understand this, as youíre watching the movie, listen for the part
where one detective brings up another murder case involving a cabbie
who goes on a murder rampage and then kills himself. This was probably
Maxís initial fate, but with a dead guy on a cab, itís now time to
Now itís a long night in Los Angeles, as Max now knows the fate of
each of Vincentís "real estate deals," and heís in a pickle of being
murdered, or letting people who are probably bad in their own right,
get murdered. In the meantime, we get fantastic conversation between
Max and Vincent, especially as the truth of Maxís limo dreams come to
light in a fantastic visit to Vincentís mother. Trust me, this will
all make sense as the movie plays out.
Everyone is praising Michael Mann for the great cinematic look of
Los Angeles at night, and I do agree, except for one thing. My plea
for directors and cinematographers: GET RID OF THE DAMN STEADICAM
SHOTS! I understand that as a cab is driving along it hits bumps and
bounces around. If Iím in a cab, thatís fine, I can deal with it, but
in a movie theater it just makes me nauseous because my seat's not
moving. The same thing when running after people Ė please bring back
the camera on the railroad track thing. Alright, enough of my
"Collateral" is a great psychological thriller, and Cruise does a
great job as the bad guy, in a way because he is sort of likeable. But
the key in this movie is Foxx. His portrayal of Max is fantastic. With
him driving Annie around, we know he is hitting on her, but his
stories to her play off like reality. We see the shear terror when he
finds out what he is in for, and his confusion in trying to figure out
how to get out of this mess without any innocent people getting
killed. Nothing against Tom Cruise in his role, but I think a lot of
other actors could have pulled off being Vincent. For me this one is
about Jamie Foxx (who also stars as Ray Charles in the upcoming movie
"Ray," which already has Oscar buzz around it).
Sure, this movie gets overblown at times, namely at the nightclub
scene and the subway chase, and sure, itís pretty easy to see the
ending of the film, but if youíve see enough movies, endings usually
arenít a surprise. This, however, is a movie full of tension, with a
lot of great lines, and fabulous performances by Cruise, Foxx, and the
jazz club owner, Daniel (Barry Shabaka Henley). Hell, even Jada
Pinkett Smith was great as the unsure of herself prosecutor.
After leaving "Collateral" I couldnít help but remember a scene in
"Fight Club," well, kinda remember. Thereís a scene where Tyler puts a
gun to a guys head, asks him what his dream in life was, asks him why
he wasnít pursuing his dream, then took his driverís license saying he
would be back later and he better be following that dream or he will
kill him. He explains that as afraid that man was with a gun to his
head, he will wake up the next day on a track to fulfill his dreams.
In a weird way, Vincent does the same for Max, as he angrily questions
"What the fuck are you still driving a cab?" At that point Vincent and
Maxís lives change, and it would have never happened had the first
"real estate" deal not landed on Maxís cab.
A great film, but get rid of the jittery scenes. Donít be afraid
about Tom Cruise, he has shown he can tackle any role while you still
site there going "Hey, thatís Tom Cruise." This movie becomes a little
bit more, thanks to Mr. Foxx. Itís 4 Ĺ stars out of 5. Bring the date
for the evening show, buy the popcorn and soda-pop, and sit back.
Thatís it for this one! Iím The Dude on the Right!! L8R!!!