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A Prairie Home Companion
Movie Stats & Links |
| Starring: |
Woody Harrelson,
L.Q. Jones, Tommy Lee Jones, Garrison Keillor, Kevin Kline,
Lindsay Lohan, Virginia Madsen, John C. Reilly, Maya
Rudolph, Meryl Streep, Lily Tomlin |
| MPAA Rated: |
PG-13 |
| Released By: |
Picturehouse Films |
| Web Site: |
aprairiehomecompanionmovie |
| Kiddie Movie: |
They won't get the
jokes and the teens might not like the music. |
| Date Movie: |
You've both got to
appreciate radio variety shows. |
| Gratuitous Sex: |
Lots of innuendo. |
| Gratuitous
Violence: |
Nope. |
| Action: |
Nope. |
| Laughs: |
Lots of chuckles
and some good laughs. |
| Memorable
Scene: |
Nothing totally
stands out. |
| Memorable
Quote: |
It goes something
like: "I asked 'What are you here for?'
'Liquor,' she said, and lick her I did, and I don't work
there anymore." |
| Directed By: |
Robert Altman |
| Produced By: |
Robert Altman,
Wren Arthur, Joshua Astrachan, Tony Judge,
David Levy |
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A Prairie Home Companion
A Movie Review |
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I vaguely recollect, as a youngster, going to see a sort
of vaudeville/variety show at our
local
theater, and enjoying it. The music was campy, the
characters had, well, character, and it just seemed like a
fun time all around. Seeing "A Prairie Home Companion" sort
of brought me back to that time, and I had a fun time all
around for this movie, except for two old ladies in the
audience, but I’ll save that for
my blog. Anyway,
let’s get to the movie…
I’m not sure of all of the particulars of this movie, nor
am I one for much investigative work, but supposedly the
movie reflects an actual radio variety show set in the same
Fitzgerald Theater in Minnesota. For our movie the radio
station has been sold to some dude from Texas, and this will
be the last show for "A Prairie Home Companion." All of the
characters, and there is a huge cast of characters, seem to
have their own way of dealing with the demise of the only
life they’ve know for the last thirty-some years, and we get
to see it all, complete with lots of variety-show type music
and some mysticism in the fact that this will be the final
episode of the show, as well as the final night for some of
the characters, thanks to the arrival of Dangerous Woman
(Virginia Madsen). The show goes on, the show ends, and life
goes on, for most of them.
I know that’s sort of a short synopsis, but the movie
doesn’t really seem to have a set "story," but rather just
tries to show the tales of everyone involved in this last
performance, and it’s those performances that hold the movie
together. First we are introduced to Guy Noir (Kevin Kline).
He’s a private investigator who is relegated to security for
the show due to the lack of any real work for a private
investigator in a Minnesota town. He sets up the story, is
quirky thinking Dangerous Woman has a thing for him, and
shows that he really isn’t a good private investigator when
a cast member dies. Garrison Keillor is G.K. He’s sort of
the ringleader for the show, giving the lead-ins for the
various acts, voicing the commercials, and even singing
along with the various characters at times. Meryl Streep and
Lily Tomlin play Yolanda and Rhonda Johnson, singing sisters
for the show, who spend the night reflecting on how their
lives have turned out. The cornballs of the show are Woody
Harrelson and John C. Reilly as Dusty and Lefty. They are
supposed to be a couple of cowboys fresh off the range,
turning songs into corny jokes and being risqué. And in a
role that shows if she could get out of the dorky film roles
she has been stuck in, Lindsay Lohan did a fantastic job as
Lola, the daughter of Yolanda, fascinated with suicide and
wondering about her own future.
All of our characters intertwine, as we would expect,
during the backstage scenes, and it is here where the
stories take place. No one can understand why G.K. won’t
announce to the audience that this is their last show nor
the death of one of the cast, to which G.K. retorts that
every show is the last show, and that he doesn’t do
eulogies. Yolanda hopes that there might be time at the end
for Lola to get on stage, and low and behold there is, and
as the movie comes to an end, Dangerous Woman is back, but
Guy wonders who she is there for. We don’t find out.
Me, I liked this movie a lot, but you might not, and
that’s okay, because this is definitely not a movie for
everyone. Pretty much if you hate bluegrass-ish or
vaudeville style music, well, you will hate this movie
because there is a lot of it present in the movie. And if
you want a totally cohesive story, well, you won’t get that
from "A Prairie Home Companion" either. But if you've ever
enjoyed a variety-style show, enjoy a lot of sexual
innuendos jokes, and can get through the mysticism part of
Dangerous Woman, you will most likely enjoy this movie a
lot.
The movie itself was great for me, but what also blew me
away was Robert Altman’s, and I guess it was his call, use
of mirrors during many of the behind-the-scenes scenes. It
gave the movie much different affect, and limited, I
suppose, the need to shoot scenes multiple times from
multiple angles, allowing all of the characters to feed off
of each other for the entire scene with the mirrors enabling
their faces to remain in the scene. Okay, that was way to
hard to explain, so I’ll just wrap this review by giving "A
Prairie Home Companion" 4 ½ stars out of 5. But please, take
my warning about the music and jokes appropriately, because
I don’t see many middle-of-the-road people for this film.
You will either like it or hate it. I liked it.
That’s it for this one! I’m The Dude on the Right!!
L8R!!! |