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A.I. Artificial
Intelligence
Movie Stats & Links |
| Starring: |
Haley Joel Osment, Jude Law,
Frances O'Connor, Sam Robards, William Hurt |
| MPAA Rated: |
PG-13 |
| Released By: |
Warner
Bros./Dreamworks
Pictures |
| Web Site: |
www.aimovie.com |
| Kiddie Movie: |
Leave them at
home. |
| Date Movie: |
She might get
weepy. |
| Gratuitous Sex: |
Lots of innuendos
and talk. |
| Gratuitous
Violence: |
Robots get
disintegrated. |
| Action: |
Not really but
some chase scenes. |
| Laughs: |
Thanks to Teddy. |
| Memorable
Scene: |
When David find
The Blue Fairy. They should have left the film there. |
| Memorable
Quote: |
None. |
| Directed By: |
Steven Spielberg |
| Produced By: |
Kathleen Kennedy,
Steven Spielberg, Bonnie Curtis |
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A.I. Artificial Intelligence
A Movie Review |
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I said in my preview that "A.I. Artificial
Intelligence" looked to be a great family film. I’ll tell you
what, leave most of the family at home because this ain’t no
"E.T."
"A.I." is a great showing of filmmaking, and you would
think that combining the likes of great filmmakers like Stanley
Kubrick, who started the development of this film, and Steven
Spielberg who is, well, Steven Spielberg, that this film couldn’t
go wrong. For me it went wrong, I guess, because Stanley Kubrick isn’t
Steven Spielberg and Steven Spielberg isn’t Stanley Kubrick.
Kubrick had a knack for turning a nightmare into a twisted reality,
Spielberg is best at making a dream a reality, and this movie would
have been better as a nightmare or as a dream, but not both which
seems to be what Spielberg ended up trying to do.
In "A.I." we get a future where you just can’t get
pregnant willy-nilly. Robots have become commonplace, especially for
sex, but our robot maker thinks that the next best thing is to make
a child who can love, basically a child for all of the families that
can’t have a child. He develops David (Haley Joel Osment) and
gives him to the first test-family, Monica (Frances O’Connor) and
Henry (Sam Robards), a family whose own son is in frozen hibernation
until a cure can be found for his illness. At first Monica is
skeptical, but eventually she activates David to be able to love.
She begins to love David, even though he is a robot, but then, low
and behold, her son gets a cure and now Martin, Monica and Henry’s
biological son, comes home. Yea, you can guess, things get a little
tense as Martin and David vie for attention, but Martin has the
upper hand because he is human and can figure how to manipulate a
robot.
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After a few things go wrong on the David front, well, Monica
decides it’s time for David to go, but she won’t return him to
his builders for fear he might get destroyed. So she leaves him to
fend for himself in the forest. It is here, after finding Gigolo Joe
(Jude Law) – he’s a sex robot on the run, that David starts to
see what he is, but he wants to be a real boy, like in the Pinocchio
story which Martin made Monica read to them, and begins his quest to
find the Blue Fairy. Not to give anything more away, well, let’s
leave the story at that.
But here’s the problem – "A.I" deals with dreams
and nightmares, and a movie trying to be both. I think this movie
needed to be a nightmare to work, instead, Spielberg tried to turn
it into a dream.
Why do I say that? I guess because, in the end, this movie shows
that David would always be a robot and that is the nightmare, while
Spielberg tries to make it a dream instead. David finds Gigolo Joe,
who, in a way, is a much smarter robot than David, and is introduced
into a world of sex and no answers. David finds a dark world, still
searching how to be a real boy so he can really be loved by Monica,
and sadly, even thinking he found it, well, he can’t find it (not
like in the other robot movie "Bicentennial Man", where
eventually the robot finds a way to grow old). No, in this movie, we
get a robot trapped in hell, in a nightmare, and given a way out,
which, and no, I didn’t know Stanley Kubrick, didn’t like most
of his films but appreciated his filmmaking, but would like to think
he would have left David trapped in his nightmare instead of giving
him a way out. David’s a robot. Yes, one that can love, but in the
end one that can’t truly be loved. That’s how I think things
are. But that can’t be the way for a nice, PG-13, bring most of
the family movie, yet you will get, yes, a thought provoking movie,
but in the end a nice, PG-13, bring most of the family movie that
you shouldn’t bring most of the family to see.
For the younger ones the only cute thing is the super toy called
Teddy, basically a teddy bear who can interact with its owner.
Scarily, I think Spielberg should have really taken "A.I."
to the next level, yes, an "R" level, where David gets to
experience decadence, where David gets to experience real hate,
where David is really trapped in a nightmare, and where dreams don’t
come true. Even for real boys dreams don’t come true – that, I
think, is the reality.
I know a lot of critics are giving high praises to this film but
I just can’t. I heard one ten-ish year old dude leaving the
theater saying he gave it 2 stars, I heard a mom say she liked it
although thought the ending was dumb, but the audience didn’t
really applaud (the trailer for "Harry Potter" got more of
a reaction), so I’m giving "A.I. Artificial
Intelligence" 2 ½ stars out of 5. I think it would have been a
better movie as David’s nightmare than David’s dream.
That’s it for this one! I’m The Dude on the Right!! L8R!!! |